Timing is everything with this kind of shoot as it takes far too much time to reset everything once your model is caked in dry paint. To overcome this, we began by throwing paint both in front of and behind her in order to create depth but also avoid getting poor Lucie covered right from the off! Once we had a selection of shots we were happy with, we went full on and before too long, Lucie was as read as a tomato!

Though the paint is easy to remove with warm water, it does get everywhere and prevention is better than cure. Despite our best efforts at covering the studio prior to shooting, the clean-up required after the shoot was phenomenal and I must thank Lucas Brodowicz and Dan Stone for their help! If you want to avoid this scenario, try using coloured sand instead of the powdered paint. You may not get quite the same effect but if you aren’t precious over the soft haze you get from the paint, then save yourself unnecessary pain and get the sand!

A big thanks to everyone involved including make-up artist, Jen Brown; assistant, Lucas Brodowicz; Studio Manager, Dan Stone; model, Lucie Webster and her lovely partner, Leigh Webster along with Leigh’s mum who kindly offered to help throw some paint!

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White Room Studio is based just outside Birmingham City Centre and with 2500sqft of space it houses an open plan high key studio with a huge infinity curve; perfect for shooting music videos or large groups. The size of the infinity curve really is a great addition to the studio and sets it above many of the rest which make do with half size coloramas (White Room Studios also has plenty of these).

Adjoining the main shooting space is a green area with sofas and a pool table for those not shooting to chill out in along with an in built audio system so you can plug in your own tunes. Connected to the shooting area there is a large make-up room fitted with a luxury make-up chair; full sized, lit mirror as well as unique features and decorations to make the room itself a potential shooting area if it takes your fancy! Facing opposite there is also a large changing room for the models to have some privacy and I also hear rumour that this may be getting kitted out with a shower for any messy shoots!

Kit-wise, the studio boasts 7 lights including both flash and continuous bulbs for those of you wanting to shoot video instead of stills, along with a huge selection of umbrellas, soft boxes, snoots, beauty dishes and ring flash accessories amongst a myriad of others. Designed with video in mind, it also has audio equipment including a Rode shotgun mic; lav mic and a Tascam recorder as well as a voice over area, ideal for productions needing a bit of ADR. Ever the thoughtful studio manager, Dan also has a large inflatable pool and tarp on standby for people like me, intent on making a mess in the studio as you can see from my recent shoot with Lucie Webster:

As you can see, from the photo, this was a hugely messy shoot and I’m so appreciative of Dan for letting me do it and for the help in tidying up all the paint (which he didn’t have to do but that just goes to show how lovely he is)!

Check out my next blog entry for more info on how this shoot went, what we learned and the results we achieved!

With great rates, great facilities and great equipment, I cannot recommend White Room Studios enough! Check them out for yourself at http://www.thewhiteroomstudios.com

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The project follows Rob’s character, Tao Lee, and documents his internal struggle with the overwhelming guilt and blind rage he experiences when realising the truth of what he has become after the death of his 4-year old son, Archie.

The aim of the project was to shoot stills in a way that could not only stand alone as an almost comic-strip-esque story telling but also be able to be sequenced together to form a short film. I have shot the stills and hope to edit the short in such a way that it does not simply resemble a slideshow to music but actually feel in some instances like footage.

Composer, Matt Walch, is creating a score to the short and together we are hoping to create an audio-visual narrative that explores the psychological states of the characters rather than being too literal and descriptive.

The short will be a while in coming yet and I’m hoping to release everything together so you may have to sit tight for the whole shoot, however here is a sneaky peak of some of my favourite shots:

The post Specials Photography: Vigilante Sneak Peak! appeared first on Aimee Spinks Photography.

I’m not shooting much in the way of fashion these days as I’m focusing my attention on film and production work, however it was nice to apply my approach to cinematic stills to fashion. I wanted to experiment with natural lighting as I am always shooting with my studio flash to create very dark and dramatic imagery so it was nice to achieve something more bright and natural. However I did want to try out more cinematic ways of framing and feel that I have finally found a way to enjoy fashion photography more fully – create a narrative!

All through university, before I discovered I wanted to work in the film industry, I spent a lot of my time focusing on fashion as it seemed to be the most obvious route to take for commercial photography. Though my technical skills flourished through my attempts I was never satisfied. I found I was working more and more with actors and performers but still couldn’t seem to change from the typical poses, expressions and eye contact the models gave the camera. It wasn’t until working as a stills photographer on several short films I released I didn’t want my models posing for the camera to show of their figure – I wanted them posing for the story.

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