Sam was absolutely lovely to work with and after getting a few shots as his adorable and smiley self, the styling team uncovered a surprisingly slick looking chap wearing a great jeans and blazer combo and hiding a nice body to boot!

Follow Sam on Twitter here and in the meantime here are a couple of my favourite shots from the day!

Big thanks to Helen at the Model Advisors for making the shoot possible as well as the styling team! Good job guys!

The post Sam Evans Big Brother Photos appeared first on Aimee Spinks Photography.

Timing is everything with this kind of shoot as it takes far too much time to reset everything once your model is caked in dry paint. To overcome this, we began by throwing paint both in front of and behind her in order to create depth but also avoid getting poor Lucie covered right from the off! Once we had a selection of shots we were happy with, we went full on and before too long, Lucie was as read as a tomato!

Though the paint is easy to remove with warm water, it does get everywhere and prevention is better than cure. Despite our best efforts at covering the studio prior to shooting, the clean-up required after the shoot was phenomenal and I must thank Lucas Brodowicz and Dan Stone for their help! If you want to avoid this scenario, try using coloured sand instead of the powdered paint. You may not get quite the same effect but if you aren’t precious over the soft haze you get from the paint, then save yourself unnecessary pain and get the sand!

A big thanks to everyone involved including make-up artist, Jen Brown; assistant, Lucas Brodowicz; Studio Manager, Dan Stone; model, Lucie Webster and her lovely partner, Leigh Webster along with Leigh’s mum who kindly offered to help throw some paint!

The post Studio Photography: Dry Paint appeared first on Aimee Spinks Photography.

White Room Studio is based just outside Birmingham City Centre and with 2500sqft of space it houses an open plan high key studio with a huge infinity curve; perfect for shooting music videos or large groups. The size of the infinity curve really is a great addition to the studio and sets it above many of the rest which make do with half size coloramas (White Room Studios also has plenty of these).

Adjoining the main shooting space is a green area with sofas and a pool table for those not shooting to chill out in along with an in built audio system so you can plug in your own tunes. Connected to the shooting area there is a large make-up room fitted with a luxury make-up chair; full sized, lit mirror as well as unique features and decorations to make the room itself a potential shooting area if it takes your fancy! Facing opposite there is also a large changing room for the models to have some privacy and I also hear rumour that this may be getting kitted out with a shower for any messy shoots!

Kit-wise, the studio boasts 7 lights including both flash and continuous bulbs for those of you wanting to shoot video instead of stills, along with a huge selection of umbrellas, soft boxes, snoots, beauty dishes and ring flash accessories amongst a myriad of others. Designed with video in mind, it also has audio equipment including a Rode shotgun mic; lav mic and a Tascam recorder as well as a voice over area, ideal for productions needing a bit of ADR. Ever the thoughtful studio manager, Dan also has a large inflatable pool and tarp on standby for people like me, intent on making a mess in the studio as you can see from my recent shoot with Lucie Webster:

As you can see, from the photo, this was a hugely messy shoot and I’m so appreciative of Dan for letting me do it and for the help in tidying up all the paint (which he didn’t have to do but that just goes to show how lovely he is)!

Check out my next blog entry for more info on how this shoot went, what we learned and the results we achieved!

With great rates, great facilities and great equipment, I cannot recommend White Room Studios enough! Check them out for yourself at http://www.thewhiteroomstudios.com

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Differing from my normal approach to shoots that often involves ridiculous amounts of meticulous planning, this shoot was very organic. Once we had the models getting ready in make-up and wardrobe, Adam and I scouted out the mansion to plan out a rough set of shots we wanted to achieve. One of the main things we wanted to create were a series of tableaux shots offering a bit more character and narrative to the scene alongside the individually posed shots. Having limited lights and a temperamental set of radio triggers, we were forced to set up scenes, mount the camera to a tripod and then take several shots with the lights in different places in order to create a multiple exposure that saw the light where we needed it to be.

It was a wonderful opportunity to shoot in the building and it’s not at all surprising it’s had lots of local media attention and appearances on TV shows like the locally filmed, ‘Gadget Show.’ All in all it was a good shoot and a great experience working with both Aston Hall and the local talent.

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